Thursday, September 30, 2010

The three deficiencies of the human soul




Rudolf Steiner, November 28,1919:

"It must become possible to conceive of Christ without identifying Him with God the Father. Many modern evangelical theologians are particularly incapable of distinguishing between the concept of a universal God and the concept of Christ. Failure to find Christ in life is different from failure to find God, that is, the Father God. You know that it is not a question here of doubting the Divinity of Christ. What matters is making an exact distinction, in the sphere of the Divine, between God the Father and God the Christ. This affects human soul life. Not to find God the Father is an illness; not to find the Christ is a disaster. For we human beings are so connected with the Christ that we are inwardly dependent on Him. That is to say, we are dependent on an event that took place historically. We must therefore find a relationship to the Christ here on Earth, in our outer lives. To fail to do so is disastrous. To be an atheist, to fail  to find the Father God, is an illness. It is a calamity not to find the Son God, the Christ.

What does failure to find the Spirit involve? It means to lack the possibility of grasping one's own spirituality so as to discover its connection with the spirituality of the world. To fail to acknowledge the Spirit is spiritual weakness, feeble-mindedness."


Wednesday, September 29, 2010

The Yoga of Anthroposophy: the redemption of human thinking; the union of intelligence with spirituality: 'Not I but Christ in me'



Rudolf Steiner, July 19, 1924:

[The archangel] Michael inspires human beings with his own being in order that there may appear on the Earth a spirituality consonant with human personal intelligence, in order that humans may be thinkers--and at the same time truly spiritual. This and this alone is what Michael's dominion means. This is what must be wrestled for in the Anthroposophical Movement. And then those who are working today for the Anthroposophical Movement will appear again on Earth at the end of the twentieth century and will be united with the great teachers of Chartres. For according to the agreement reached in that heavenly conference at the beginning of the thirteenth century, the Aristotetilians and the Platonists were to appear together, working for the ever-growing prosperity of the Anthroposophical Movement in the twentieth century, in order that at the end of this century, with Platonists and Aristotelians in unison, Anthroposophy may reach a certain culmination in earthly civilization. If it is possible to work in this way, in the way predestined by Michael, then Europe and modern civilization will emerge from decline--but in no other way than this! The leading of civilization out of decline is bound up with an understanding of Michael.

I have now led you toward an understanding of the Michael Mystery reigning over the thinking and the spiritual striving of humankind. This means--as you can realize--that through Anthroposophy something must be introduced into the spiritual evolution of the Earth, for all kinds of demonic, Ahrimanic powers are taking possession of humanity. The Ahrimanic powers in many human bodies exulted in their confidence that it would no longer be possible for Michael to take over his rulership of the Cosmic Intelligence that had fallen down to the Earth. And this exultation was particularly strong in the middle of the nineteenth century, when Ahriman already believed: Michael will not recover his Cosmic Intelligence that made its way from the heavens to the Earth. Truly great and mighty issues are now at stake! For this reason, it is not to be wondered at that those who stand in the midst of this battle have to go through many extraordinary experiences....

The whole Michael tradition must be renewed. Michael with his feet upon the dragon: it is right to contemplate this picture which portrays Michael the Warrrior, defending the Cosmic Spirit against the Ahrimanic powers under his feet. This battle, more than any other, is laid in the human heart. There, within human hearts, it is and has been waged since the last third of the nineteenth century. Decisive indeed will be what human hearts do with this Michael Impulse in the world in the course of the twentieth century. And in the course of the twentieth century, when the first century after the close of the Kali Yuga has ended, humanity will either stand at the grave of all civilization--or at the beginning of that Age when in the souls of human beings who unite intelligence with spirituality in their hearts, Michael's battle will be fought out to victory.






Source: Karmic Relationships, volume 6

Tuesday, September 28, 2010

The Archangel Michael: The Fiery Prince of Thought


Rudolf Steiner, "At the Dawn of the Michael Age":

"One who understands how to observe such things knows what a great change took place in the last third of the nineteenth century with respect to the life of human thought. Before that time human beings could feel only how thoughts formed themselves in their own being; from the time indicated humans are able to raise themselves above their own being; we can turn our mind to the Spiritual; we there meet Michael, who proves his ancient kinship with everything connected with thought. He liberates thought from the sphere of the head; he clears the way for it to the heart; he enkindles enthusiasm in the feelings, so that the human mind can be filled with devotion for all that can be experienced in the light of thought.

The Age of Michael has dawned. Hearts are beginning to have thoughts; spiritual fervor is now proceeding not merely from mystical obscurity but from souls clarified by thought. To understand this means to receive Michael into the heart. Thoughts which at the present time strive to grasp the Spiritual must originate in hearts which beat for Michael as the fiery Prince of Thought in the Universe."

Monday, September 27, 2010

Ananda: The Ecstasy of Becoming One with the Veda, the Living Word of God, the Cosmic Christ



Rudolf Steiner, from a lecture given September 30,1923:

"...withdrawing from the physical body, according to the methods you will find described in my books, and then being able to observe the effects of an outer object on the human physical organism; to observe how the ether forces, rising from within, seize on the physico-chemical process that takes place, for example, in the eye during optical perception. In reality, the act of exposing ourself in the ordinary way to the world in perception, even in scientific observation, does not affect us very deeply. But when a man steps out of himself in this way and confronts himself in the etheric body and possibly in the astral as well, and then sees ex postfacto how such a sense-process of perception or cognition came about — even though his spiritual nature had left his physical sense-nature — then he indeed feels a mighty, intensive process taking place in his spirituality. What he then experiences is real ecstasy. The world becomes immense; and what he is accustomed to seeing only in his outer circle of vision, namely, the zodiac and its external display of constellations, becomes something that arises from within him. If someone were to object that what thus arises might be mere recollections, this would only prove that he does not know the event in question; for what arises there are truly not recollections but mighty imaginations transfused by intuitions: here we begin to behold from within what we had previously seen only from without. As human beings we become interwoven with all the mysteries of the zodiac; and if we seize the favorable moment there may flash before us, out of the inner universe, the secret of Saturn, for example, in its passage across the zodiac. Reading in the cosmos, you see, consists in finding the methods for reading out of the inwardly seen heavenly bodies as they pass through the zodiac. What the individual planet tells us provides the vowels of the world-script; and all that forms around the vowels when the planets pass the zodiacal constellations gives us the consonants, if I may use this comparison. By obtaining an inner view of what we ordinarily observe only from the outside we really learn to know the essence of what pertains to the planets.

That is the way to become acquainted with Saturn, for example, in its true inner being. We see its population, which is the guardian of our planetary system's memory; everything that has ever occurred in our planetary system since the beginning of time is preserved by the spirits of Saturn as in a mighty cosmic memory...."

Sunday, September 26, 2010

"My yoke is easy, and my burden is light"






Come unto me, all ye that labour and are heavy laden, and I will give you rest.
Take my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your souls.
For my yoke is easy, and my burden is light.
--Matthew 11:28-30

Saturday, September 25, 2010

Why the existence of Christ Jesus cannot be proved historically








"In fact, the existence of Christ Jesus cannot be proved historically, as Caesar's or Napoleon's can be. And why? Because the Mystery of Golgotha was intended to confront us with an event to which we should have supersensible access only. In order that human beings might learn, precisely by means of the Mystery of Golgotha, to raise themselves to a supersensible perspective, there could be no external, physically documented proof of the event."--Rudolf Steiner, 9/23/19

Friday, September 24, 2010

"And flesh will become the Word": the second revelation of the archangel Michael


"True as it is, as the Prologue to the Gospel of St. John says, that 'In the beginning was the Word...and the Word became flesh and dwelt among us,' it is also true that we have to add, 'And human flesh must again be permeated by the spirit in order that it may dwell in the realm of the Word and behold there the secrets of divinity.' That the Word became flesh--the Incarnation--is the first Michael Revelation. The spiritualization of the flesh must be the second."

--Rudolf Steiner, 11/22/19

Thursday, September 23, 2010

Evil in the service of the greater good


Rudolf Steiner, from a lecture given April 18, 1909:


...the essential thing in Christianity is the deed which can become one's own possession only through free will, through a voluntary ascent into the higher worlds. Man takes the Christ-force into himself, because he voluntarily receives it, and no one can receive it who does not do so voluntarily. This has only been made possible for man because he has become human upon earth, because he was called to grow into man on earth.

The fallen Angels who have spread over the earth as Lucifer are in a different position. These ought really to have become men on the Moon; they have remained behind in their development, hence they can enter the astral body but not the Ego. They are in a peculiar position, a position which we can only describe graphically, even if it appears somewhat pedantic. Let us suppose, leaving aside the physical and etheric body, that the astral body of man during the Lemurian development was represented by the circle A-B-C, and the Ego was the circle enclosed (a) in that astral body. The Ego gradually entered the astral body. What happens now? During the Lemurian development the Luciferic forces slip on all sides into the man's astral body and penetrate him with their activities, which find expression in his lower passions. That through which he succumbs to error and evil is rooted in his astral body; the Luciferic spirits have implanted this into him. (If they had not done this he would never have had the possibility of error and evil, he would have been lifted up to the place from whence he receives his ‘Ego’, untouched by all hindering influences.) So it goes on, but the great leaders protect humanity as far as it is necessary so that it should not sink too low.

Now comes the Advent of the Christ. Let us take a man who has voluntarily received the Christ. Christianity is only at its beginning. But let us take the Ideal; the man's ‘Ego’ has voluntarily, with complete free will, allowed the Christ's force to flow into him. When the Ego has progressed so far that it has filled itself with the Christ, then this Christ force irradiates the astral body also. In that same astral body, into which the Luciferic powers had formerly implanted their deeds, the Christ power is now radiating from within outwards. What happens in the future? Because we have overcome with the help of Christ, and only with His help, all those human qualities which come from Lucifer, we also, as men, gradually release the Luciferic powers; and a time will come, when the Luciferic powers who, during the Moon development, had to sink downwards into a certain lower evolution for the sake of human freedom, and who had not themselves the opportunity of experiencing the Christ force upon earth, these Luciferic powers will experience the Christ force through man, and through Him they will be released. Man will save Lucifer, when he takes the Christ force into himself in the necessary way. And because of this, man will again grow stronger than he otherwise would have been. For imagine: if man had not received the Luciferic powers, then the Christ force irradiating him would not have encountered the hindrances of the Luciferic forces, and it would have been impossible for man to progress so far in wisdom, goodness and in truth as he may do when he has to overcome these opposing forces....


Read the entire lecture:
http://wn.rsarchive.org/Lectures/Dates/19090418p01.html

Evil in the service of the greater good










All that is
can be divided into
that which is good
          +
that which is necessary



















Wednesday, September 22, 2010

"Seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto you"


Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt, and where thieves break through and steal:
 But lay up for yourselves treasures in heaven, where neither moth nor rust doth corrupt, and where thieves do not break through nor steal:
 For where your treasure is, there will your heart be also.
The light of the body is the eye: if therefore thine eye be single, thy whole body shall be full of light.
 But if thine eye be evil, thy whole body shall be full of darkness. If therefore the light that is in thee be darkness, how great is that darkness!
 No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.
 Therefore I say unto you, Take no thought for your life, what ye shall eat, or what ye shall drink; nor yet for your body, what ye shall put on. Is not the life more than meat, and the body than raiment?
 Behold the fowls of the air: for they sow not, neither do they reap, nor gather into barns; yet your heavenly Father feedeth them. Are ye not much better than they?
 Which of you by taking thought can add one cubit unto his stature?
 And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin:
 And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these.
 Wherefore, if God so clothe the grass of the field, which to day is, and to morrow is cast into the oven, shall he not much more clothe you, O ye of little faith?
 Therefore take no thought, saying, What shall we eat? or, What shall we drink? or, Wherewithal shall we be clothed?
 (For after all these things do the Gentiles seek:) for your heavenly Father knoweth that ye have need of all these things.
 But seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto you.
 Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself. Sufficient unto the day is the evil thereof.

--Matthew 6:19-34

Tuesday, September 21, 2010

"Consider the lilies of the field, how they grow"



Rudolf Steiner, from a lecture given September 28, 1923:

One who simply grows up into our modern civilization observes the things of the outer world: he perceives them, forms abstract thoughts about them, possibly derives real pleasure from a lovely blossom or a majestic plant; and if he is at all imaginative he may even achieve an inner picture of these. Yet he remains completely unaware of his deeper relation to that world of which the plant, for example, is a part. To talk incessantly about spirit, spirit, and again spirit is utterly inadequate for spiritual perception. Instead, what is needed is that we should become conscious of our true spiritual relations to the things around us. When we observe a plant in the usual way we do not in the least sense the presence of an elemental being dwelling in it, of something spiritual; we do not dream that every such plant harbors something which is not satisfied by having us look at it and form such abstract mental pictures as we commonly do of plants today. For in every plant there is concealed — under a spell, as it were — an elemental spiritual being; and really only he observes a plant in the right way who realizes that this loveliness is a sheath of a spiritual being enchanted in it — a relatively insignificant being, to be sure, in the great scale of cosmic interrelationship, but still a being intimately related to man.

The human being is really so closely linked to the world that he cannot take a step in the realm of nature without coming under the intense influence exercised upon him by his intimate relations to the world. And when we see the lily in the field, growing from the seed to the blossom, we must vividly imagine — though not personified — that this lily is awaiting something. (Again I must use men's words as I did before to express another picture: they cannot quite cover the meaning, but they do express the realities inherent in things.) While unfolding its leaves, but especially its blossom, this lily is really expecting something. It says to itself: Men will pass and look at me; and when a sufficient number of human eyes will have directed their gaze upon me — so speaks the spirit of the lily — I shall be disenchanted of my spell, and I shall be able to start on my way into spiritual worlds. — You will perhaps object that many lilies grow unseen by human eye: yes, but then the conditions are different, and such lilies find their release in a different way. For the decree that the spell of that particular lily shall be broken by human eyes comes about by the first human glance cast upon the lily. It is a relationship entered into between man and the lily when he first lets his gaze rest upon it. — All about us are these elemental spirits begging us, in effect, Do not look at the flowers so abstractly, nor form such abstract mental pictures of them: let rather your heart and your Gemüt enter into what lives, as soul and spirit, in the flowers, for it is imploring you to break the spell. — Human existence should really be a perpetual releasing of the elemental spirits lying enchanted in minerals, plants, and animals.

An idea such as this can readily be sensed in its abundant beauty; but precisely by grasping it in its right spiritual significance we can also feel it in the light of the full responsibility we thereby incur toward the whole cosmos. In the present epoch of civilization — that of the development of freedom — man's attitude toward the flowers is a mere sipping at what he should really be drinking. He sips by forming concepts and ideas, whereas he should drink by uniting, through his Gemüt, with the elemental spirits of the things and beings that surround him.

We present-day humans are developing our Consciousness Soul









" In its essential nature the Consciousness Soul is not cold. It sems to be so only at the commencement of its unfolding, because at that stage it can ony reveal the light-element in its nature, and not yet as the cosmic warmth in which it has indeed its origin."--Rudolf Steiner

Monday, September 20, 2010

Our highest endeavor




"Our highest endeavor must be to develop free human beings who are able, of themselves, to impart purpose
and meaning to their lives." - Rudolf Steiner


Sunday, September 19, 2010

Light Divine! Christ Sun! Warm our hearts, enlighten our heads!




"Each person, in his thinking, lays hold of the universal primordial Being who pervades all human beings."
--Rudolf Steiner, The Philosophy of Freedom, part 3




Saturday, September 18, 2010

What Michael expects of us


Rudolf Steiner, from a lecture given September 28, 1923:

"This ability to rise to the point at which thoughts about spirit can grip us as powerfully as can anything in the physical world, this is Michael power. It is confidence in the ideas of spirit — given the capacity for receiving them at all — leading to the conviction: I have received a spiritual impulse, I give myself up to it, I become the instrument for its execution. First failure — never mind! Second failure — never mind! A hundred failures are of no consequence, for no failure is ever a decisive factor in judging the truth of a spiritual impulse whose effect has been inwardly understood and grasped. We have full confidence in a spiritual impulse, grasped at a certain point of time, only when we can say to ourself: My hundred failures can at most prove that the conditions for realizing the impulse are not given me in this incarnation; but that this impulse is right I can know from its own nature. And if I must wait a hundred incarnations for the power to realize this impulse, nothing but its own nature can convince me of the efficacy or impotence of any spiritual impulse.

If you will imagine this thought developed in the human Gemüt as great confidence in spirit, if you will consider that man can cling firm as a rock to something he has seen to be spiritually victorious, something he refuses to relinquish in spite of all outer opposition, then you will have a conception of what the Michael power, the Michael being, really demands of us; for only then will you comprehend the nature of the great confidence in spirit. We may leave in abeyance some spiritual impulse or other, even for a whole incarnation; but once we have grasped it we must never waver in cherishing it within us, for only thus can we save it up for subsequent incarnations. And when confidence in spirit will in this way have established a frame of mind to which this spiritual substance appears as real as the ground under our feet — the ground without which we could not stand — then we shall have in our Gemüt a feeling of what Michael really expects of us."

Friday, September 17, 2010

Dharma as penance



Rudolf Steiner, lecture five of According to Luke, September 19, 1909:

"If the bodhisattva had not appeared completely in the body of the great Gautama Buddha, individual human souls would not have been able to receive the lawfulness known as dharma, which human beings develop from within only by eliminating the astral content of their souls in order to free themselves from all the harmful effects of karma. The Buddha legend points to this fact in a wonderful way when it says that the Buddha had succeeded in "setting the wheel of the law rolling." That is, when the bodhisattva was enlightened and became the Buddha, a wave flowed over all of humankind, and as a consequence individuals gradually learned to develop dharma from within their own souls....

Through the Buddha, humankind acquired the lawfulness that each soul discovers for itself and uses to purify itself and rise to the highest possible level of earthly morality. As proclaimed by the Buddha, dharma, the law of the soul, is accessible to individual human souls at the highest level of development; the Buddha was the first to derive it from within."

Thursday, September 16, 2010

Moral Enthusiasm


 







"Moral intuitions shine forth from human beings, from what can live in human beings as moral enthusiasm."--Rudolf Steiner, 12/18/20



Wednesday, September 15, 2010

Bonus lecture for the September 30 meeting of the Rudolf Steiner Study Circle




Michaelmas and the Soul Forces of the Human Being


A lecture given by Rudolf Steiner in Vienna on September 28, 1923

You will have sensed, my dear friends, in what I was able to tell you at the close of yesterday's lecture, concerning the old conception of Michael's conflict with the Dragon, an indication that for our time a revitalization is called for of the elements of a Weltanschauung once contained for mankind in this gigantic picture — and not even so long ago. I repeatedly drew attention to the fact that in many 18th Century souls this conception was still fully alive. But before I can tell you — as I shall in the next lectures — what a genuine, up-to-date spiritual viewpoint can and must do to revivify it, I must present to you — episodically, as it were — a more general anthroposophical train of thought. This will disclose the way in which the conception under discussion can be revitalized and once more become a force in mankind's thinking, feeling, and acting.

If we observe our present relation to nature and to the whole world, and if we compare this with sufficient open-mindedness with that of former times, we find that at bottom man has become a veritable hermit in his attitude toward the cosmic powers, a hermit in so far as he is introduced through his birth into physical existence and has lost the memory of his prenatal life — a memory that at one time was common to all mankind. During that period of our life in which nowadays we merely grow into the use of our forces of mind and memory, and to which we can remember back in this earth life, there occurred in former epochs of human evolution the lighting up of real memory, of an actual retrospect of prenatal experiences man had passed through as a psycho-spiritual being before his earth life. — That is one factor that makes present-day man a world-hermit: he is not conscious of the nature of the connection between his earthly existence and his spiritual existence.

The other factor is this: when now he gazes into the vast cosmos he observes the outer forms of the stars and constellations, but he no longer has any inner spiritual relation to what is spiritual in the cosmos. We can go further: the man of today observes the kingdoms of nature that surround him on earth — the manifold beauty of plants, the gigantic proportions of mountains, the fleeting clouds, and so on. Yet here again he is limited to sense impressions; and often he is even afraid, when he feels a deeper, more intimate contact with the great spaces of nature, lest he might lose his ingenuous attitude toward them. This phase of human evolution was indispensable for the development of what we experience in the consciousness of freedom, the feeling of freedom, in order to arrive at full self-consciousness, at the inner strength that permits the ego to rise to its full height; but necessary as was this hermit life of man in relation to the cosmos, it must be but a transition to another epoch in which the human being may find the way back to spirit, which after all underlies all things and beings. And precisely this finding the way back to spirit must be achieved by means of the strength that can come to him who is able to grasp the Michael idea in its right sense and in its true form, the form it must assume in our time.

Our mentality, the life of our Gemüt, and our life of action all need to be permeated with the Michael impulse. But when we hear it stated that a Michael Festival must be resuscitated among men and that the time is ripe for assigning it its place among the other annual festivals, it is naturally not enough that a few people should say, Well let us start — let us have a Michael Festival! My dear friends, if anthroposophy is to achieve its aim, the superficiality so prevalent today must obviously play no part in any anthroposophical undertakings; but rather, whatever may grow out of anthroposophy must do so with the most profound seriousness. And in order to familiarize ourselves with what this seriousness should be we must consider in what manner the festivals — once vital, today so anaemic — took their place in human evolution. Did the Christmas or Easter Festival come into being because a few people had the idea of instituting a festival at a certain time of the year and said, Let us make the necessary arrangements? Naturally that is not the case. For something like the Christmas Festival to find its way into the life of mankind, Christ Jesus had to be born; this event had to enter the world-historical evolution of the earth; a transcendent event had to occur. And the Easter Festival? It could never have had any meaning in the world had it not commemorated what took place through the Mystery of Golgotha, had not this event intervened incisively for the history of the earth in the evolution of humanity. If nowadays these festivals have faded, if the whole seriousness of the Christmas and Easter Festivals is no longer felt, this fact in itself should lead to a revived intensification of them through a more profound comprehension of the birth of Christ Jesus and the Mystery of Golgotha. Under no conditions, however, must it be imagined that one should add to these festivals simply by establishing a Michael Festival with equal superficiality at the beginning of autumn. Something must be present that can be incisive in human evolution in the same way — though possibly to a lesser degree — as were all events that led to the institution of festivals.

The possibility of celebrating a Michael Festival in all seriousness must inevitably be brought about, and it is the anthroposophical movement out of which an understanding for such a Michael Festival must be able to arise. But just as the Christmas and Easter Festivals were led up to by outer events, in evolutionary objectivity, so a radical transformation must take place in the inner being of mankind before such a step is taken. Anthroposophy must become a profound experience, an experience men can think of in a way similar to that which they feel when imbued with the whole power dwelling in the birth of Christ Jesus, in the Mystery of Golgotha. As was said, this may be so to a lesser degree in the case of the Michael Festival; but something of this soul-transmuting force must proceed from the anthroposophical movement. That is indeed what we long for: that anthroposophy might be imbued with this power to transmute souls: and this can only come about if the substance of its teaching — if I may call it that — becomes actual experience.

Let us now turn our attention to such experiences as can enter our inner being through anthroposophy. In our soul life we distinguish, as you know, thinking, feeling, and willing from one another; and especially in connection with feeling we speak of the human Gemüt. Our thinking appears to us cold, dry, colorless — as though spirituality emaciating us — when our thoughts take an abstract form, when we are unable to imbue them with the warmth and enthusiasm of feeling. We can call a man gemütvoll only when something of the inner warmth of his Gemüt streams forth to us when he utters his thoughts. And we can really make close contact with a man only if his behavior toward ourself and the world is not merely correct and in line with duty, but if his actions manifest enthusiasm, a warm heart, a love of nature, love for every being. This human Gemüt, then, dwells in the very center of the soul life, as it were.

But while thinking and willing have assumed a certain character by reason of man's having become cosmically a hermit, this is even more true of the human Gemüt. Thinking may contemplate the perfection of its cosmic calculations and perhaps gloat over their subtlety, but it simply fails to sense how basically remote it is from the warm heartbeat of life. And in correct actions, carried out by a mere sense of duty, many a man may find satisfaction, without really feeling that a life of such matter-of-fact behavior is but half a life. Neither the one nor the other touches the human soul very closely. But what lies between thinking and willing, all that is comprised in the human Gemüt, is indeed intimately linked with the whole being of man. And while it may sometimes seem — in view of the peculiar tendencies of many people at the present time — as though the factors that should warm and elevate the Gemüt and fill it with enthusiasm might become chilled as well, this is a delusion. For it can be said that a man's inner, conscious experiences might at a pinch occur lacking the element of Gemüt; but through such a lack his being will inevitably suffer in some way. And if such a man's soul can endure this — if perhaps through soullessness he forces himself to Gemütlessness — the process will gnaw at his whole being in some other form: it will eat right down into his physical organization, affecting his health. Much of what appears in our time as symptoms of decline is basically connected with the lack of Gemüt into which many people have settled. — The full import of these rather general statements will become clear when we delve deeper into them.

One who simply grows up into our modern civilization observes the things of the outer world: he perceives them, forms abstract thoughts about them, possibly derives real pleasure from a lovely blossom or a majestic plant; and if he is at all imaginative he may even achieve an inner picture of these. Yet he remains completely unaware of his deeper relation to that world of which the plant, for example, is a part. To talk incessantly about spirit, spirit, and again spirit is utterly inadequate for spiritual perception. Instead, what is needed is that we should become conscious of our true spiritual relations to the things around us. When we observe a plant in the usual way we do not in the least sense the presence of an elemental being dwelling in it, of something spiritual; we do not dream that every such plant harbors something which is not satisfied by having us look at it and form such abstract mental pictures as we commonly do of plants today. For in every plant there is concealed — under a spell, as it were — an elemental spiritual being; and really only he observes a plant in the right way who realizes that this loveliness is a sheath of a spiritual being enchanted in it — a relatively insignificant being, to be sure, in the great scale of cosmic interrelationship, but still a being intimately related to man.

The human being is really so closely linked to the world that he cannot take a step in the realm of nature without coming under the intense influence exercised upon him by his intimate relations to the world. And when we see the lily in the field, growing from the seed to the blossom, we must vividly imagine — though not personified — that this lily is awaiting something. (Again I must use men's words as I did before to express another picture: they cannot quite cover the meaning, but they do express the realities inherent in things.) While unfolding its leaves, but especially its blossom, this lily is really expecting something. It says to itself: Men will pass and look at me; and when a sufficient number of human eyes will have directed their gaze upon me — so speaks the spirit of the lily — I shall be disenchanted of my spell, and I shall be able to start on my way into spiritual worlds. — You will perhaps object that many lilies grow unseen by human eye: yes, but then the conditions are different, and such lilies find their release in a different way. For the decree that the spell of that particular lily shall be broken by human eyes comes about by the first human glance cast upon the lily. It is a relationship entered into between man and the lily when he first lets his gaze rest upon it. — All about us are these elemental spirits begging us, in effect, Do not look at the flowers so abstractly, nor form such abstract mental pictures of them: let rather your heart and your Gemüt enter into what lives, as soul and spirit, in the flowers, for it is imploring you to break the spell. — Human existence should really be a perpetual releasing of the elemental spirits lying enchanted in minerals, plants, and animals.

An idea such as this can readily be sensed in its abundant beauty; but precisely by grasping it in its right spiritual significance we can also feel it in the light of the full responsibility we thereby incur toward the whole cosmos. In the present epoch of civilization — that of the development of freedom — man's attitude toward the flowers is a mere sipping at what he should really be drinking. He sips by forming concepts and ideas, whereas he should drink by uniting, through his Gemüt, with the elemental spirits of the things and beings that surround him.

I said, we need not consider the lilies that are never seen by man but must think of those that are so seen, because they need the relationship of the Gemüt which the human being can enter into with them. Now, it is from the lily that an effect proceeds; and manifold, mighty and magnificent are indeed the spiritual effects, that continually approach man out of the things of nature when he walks in it. One who can see into these things constantly perceives the variety and grandeur of all that streams out to him from all sides through the elemental spirituality of nature. And it flows into him: it is something that constantly streams toward him as supersensible spirituality poured out over outer nature, which is a mirror of the divine-spiritual.

In the next days, we shall have occasion to speak of these matters more in detail, in the true anthroposophical sense. At the moment we will go on to say that in the human being there dwells the force I have described as the force of the Dragon whom Michael encounters, against whom he does battle. I indicated that this Dragon has an animal-like form, yet is really a supersensible being; that on account of his insubordination as a supersensible being he was expelled into the sense world, where he now has his being; and I indicated further that he exists only in man, because outer nature cannot harbor him. Outer nature, image of divine spirituality, has in its innocence nothing whatever to do with the Dragon: he is established in the being of men, as I have set forth. But by reason of being such a creature — a supersensible being in the sense of world — he instantly attracts the supersensible elemental forces that stream toward man out of nature and unites with them, with the result that man, instead of releasing the plant elementals from their spell through his soul and Gemüt, unites them with the Dragon, allows them to perish with the Dragon in his lower nature. For everything in the world moves in an evolutionary stream, taking many different directions to this end; and the elemental beings dwelling in minerals, plants, and animals must rise to a higher existence than is offered by their present abodes. This they can only accomplish by passing through man. The establishment of an external civilization is surely not man's sole purpose on earth: he has a cosmic aim within the entire world evolution; and this cosmic aim is linked with such matters as I have just described — with the further development of those elemental beings that in earthly existence are at a low stage, but destined for a higher one. When man enters into a certain relationship with them, and when everything runs as it should, they can attain to this higher stage of evolution.

In the old days of instinctive human evolution, when in the Gemüt the forces of soul and spirit shone forth and when these were as much a matter of course to him as were the forces of nature, world evolution actually progressed in such a way that the stream of existence passed through man in a normal, orderly way, as it were. But precisely during the epoch that must now terminate, that must advance to a higher form of spirituality, untold elemental substance within man has been delivered over to the Dragon; for it is his very nature to hunger and thirst for these elemental beings: to creep about, frightening plants and minerals in order to gorge himself with the elemental beings of nature. For with them he wants to unite, and with them to permeate his own being. In extrahuman nature he cannot do this, but only in the inner nature of man, for only there is existence possible for him. And if this were to continue, the earth would be doomed, for the Dragon would inevitably be victorious in earthly existence.

He would be victorious for a very definite reason: by virtue of his saturating himself, as it were, with elemental beings in human nature, something happens physically, psychically, and spiritually. Spiritually: no human being would ever arrive at the silly belief in a purely material outer world, as assumed by nature research today; he would never come to accept dead atoms and the like; he would never assume the existence of such reactionary laws as that of the conservation of force and energy, or of the permanence of matter, were not the Dragon in him to absorb the elemental beings from without. When these come to be in man, in the body of the Dragon, human observation is distracted from what things contain of spirit; man no longer sees spirit in things, which in the meantime has entered into him; he sees nothing but dead matter. — Psychically: everything a man has ever expressed in the way of what I must call cowardice of soul results from the Dragon's having absorbed the elemental powers within him. Oh, how widespread is this cowardice of the soul! We know quite well that we should do this or that, that such and such is the right thing to do in a given situation; but we cannot bring our self to do it — a certain dead weight acts in our soul: the elemental beings in the Dragon's body are at work in us. — And psychically: man would never be tormented by what are called disease germs had his body not been prepared — through the spiritual effects I have just described — as a soil for the germs. These things penetrate even into the physical organization; and we can say that if we perceive man rightly in his spirit, soul, and body as he is constituted today, we find him cut off from the spirit realm in three directions — for a good purpose, to be sure; the attainment of freedom. He no longer has in him the spiritual powers he might have; and thus you see that through this threefold debilitation of his life, through what the glutted Dragon has become in him, he is prevented from experiencing the potency of the spirit within himself.

There are two ways of experiencing anthroposophy — many variations lie between, but I am mentioning only the two extremes — and one of them is this: a man sits down in a chair, takes a book, reads it, and finds it quite interesting as well as comforting to learn that there is such a thing as spirit, as immortality. It just suits him to know that with regard to the soul as well, man is not dead when his body dies. He derives greater satisfaction from such a cosmogony than from a materialistic one. He takes it up as one might take up abstract reflections on geography, except that anthroposophy provides more of comfort. Yes, that is one way. The man gets up from his chair really no different from what he was when he sat down, except for having derived a certain satisfaction from what he read — or heard, if it was a lecture instead of a book.

But there is another way of receiving what anthroposophy has to give. It is to absorb something like the idea of Michael's Conflict with the Dragon in such a way as really to become inwardly transformed, to feel it as an important, incisive experience, and to rise from your chair fundamentally quite a different being after reading something of that sort. — And as has been said, there are all sorts of shades between these two.

The first type of reader cannot be counted upon at all when it is a question of reviving the Michaelmas Festival: only those can be depended upon whose determination it is, at least within their capacities, to take anthroposophy into themselves as something living. And that is exactly what should be experienced within the anthroposophical movement: the need to experience as life-forces those ideas that first present themselves to us merely as such, as ideas. — Now I will say something wholly paradoxical: sometimes it is much easier to understand the opponents of anthroposophy than its adherents. The opponents say, Oh, these anthroposophical ideas are fantastic — they conform with no reality; and they reject them, remain untouched by them. One can readily understand such an attitude and find a variety of reasons for it. As a rule it is caused by fear of these ideas — a real attitude, though unconscious. But frequently it happens that a man accepts the ideas; yet, though they diverge so radically from everything else in the world that can be accepted, they produce less feeling in him than would an electrifying apparatus applied to his knuckle. In the latter case he at least feels in his body a twitching produced by the spark; and the absence of a similar spark in the soul is what so often causes great anguish — this links up with the demand of our time that men be laid hold of and impressed by the spirit, not merely by what is physical. Men avoid being knocked and jerked about, but they do not avoid coming in contact with ideas dealing with other worlds, ideas presenting themselves as something very special in the present-day sense-world, and then maintaining the same indifference toward them as toward ideas of the senses.

This ability to rise to the point at which thoughts about spirit can grip us as powerfully as can anything in the physical world, this is Michael power. It is confidence in the ideas of spirit — given the capacity for receiving them at all — leading to the conviction: I have received a spiritual impulse, I give myself up to it, I become the instrument for its execution. First failure — never mind! Second failure — never mind! A hundred failures are of no consequence, for no failure is ever a decisive factor in judging the truth of a spiritual impulse whose effect has been inwardly understood and grasped. We have full confidence in a spiritual impulse, grasped at a certain point of time, only when we can say to our self, My hundred failures can at most prove that the conditions for realizing the impulse are not given me in this incarnation; but that this impulse is right I can know from its own nature. And if I must wait a hundred incarnations for the power to realize this impulse, nothing but its own nature can convince me of the efficacy or impotence of any spiritual impulse.

If you will imagine this thought developed in the human Gemüt as great confidence in spirit, if you will consider that man can cling firm as a rock to something he has seen to be spiritually victorious, something he refuses to relinquish in spite of all outer opposition, then you will have a conception of what the Michael power, the Michael being, really demands of us; for only then will you comprehend the nature of the great confidence in spirit. We may leave in abeyance some spiritual impulse or other, even for a whole incarnation; but once we have grasped it we must never waver in cherishing it within us, for only thus can we save it up for subsequent incarnations. And when confidence in spirit will in this way have established a frame of mind to which this spiritual substance appears as real as the ground under our feet — the ground without which we could not stand — then we shall have in our Gemüt a feeling of what Michael really expects of us.

Undoubtedly you will admit that in the course of the last centuries — even the last thousand years of human history — the vastly greater part of this active confidence in spirit has been disappearing, that life does not exact from the majority of men the development of such confidence. Yet that is what had to come, because what I am really expressing when I say this is that in the last instance man has burned the bridges that formerly had communication with the Michael power.

But in the meantime much has happened in the world. Man has in a sense apostatized from the Michael power. The stark, intense materialism of the 19th Century is in effect an apostasy from the Michael power. But objectively, in the domain of outer spirit, the Michael power has been victorious, precisely in the last third of the 19th Century. What the Dragon had hoped to achieve through human evolution will not come to pass, yet on the other hand we envision today the other great fact that out of free resolution man will have to take part in Michael's victory over the Dragon. And this involves finding the way to abandon the prevalent passivity in relation to spirit and to enter into an active one. The Michael forces cannot be acquired through any form of passivity, not even through passive prayer, but only through man's making himself the instrument of divine-spiritual forces by means of his loving will. For the Michael forces do not want to be implored: they want men to unite with them. This men can do if they will receive the lessons of the spiritual world with inner energy.

This will indicate what must appear in man if the Michael conception is to come alive again. He must really be able to experience spirit, and he must be able to gather this experience wholly out of thought — not in the first instance by means of some sort of clairvoyance. We would be in a bad way if everybody had to become clairvoyant in order to have this confidence in spirit. Everyone who is at all receptive to the teachings of spiritual science can have this confidence. If a man will saturate himself more and more with confidence in spirit, something will come over him like an inspiration; and this is something that really all the good spirits of the world are awaiting. He will experience the spring, sensing the beauty and loveliness of the plant world and finding deep delight in the sprouting, burgeoning life; but at the same time he will develop a feeling for the spell-bound elemental spirituality in all this budding life. He will acquire a feeling, a Gemüt content, telling him that every blossom bears testimony to the existence of an enchanted elemental being within it; and he will learn to feel the longing in this elemental being to be released by him, instead of being delivered up to the Dragon to whom it is related through its own invisibility. And when the flowers wither in the autumn he will know that he has succeeded in contributing a bit to the progress of spirit in the world, in enabling an elemental being to slip out of its plant when the blossoms wither and fall and become seed. But only as he permeated himself with the powerful strength of Michael will he be able to lead this elemental being up into the spirit for which it yearns.

And men will experience the cycle of the seasons. They will experience spring as the birth of elemental beings longing for the spirit, and autumn as their liberation from the dying plants and withering blossoms. They will no longer stand alone as cosmic hermits who have merely grown half a year older by fall than they were in the spring: together with evolving nature they will have pressed onward by one of life's milestones. They will not merely have inhaled the physical oxygen so and so many times, but will have participated in the evolution of nature, in the enchanting and disenchanting of spiritual beings in nature. Men will no longer only feel themselves growing older; they will sense the transformation of nature as part of their own destiny: they will coalesce with all that grows there, will expand in their being because their free individuality can pour itself out in sacrifice into the cosmos. — That is what man will be able to contribute to a favorable outcome of Michael's Conflict with the Dragon.

Thus, we see that what can lead to a Michaelmas Festival must be an event of the human Gemüt, a Gemüt event that can once more experience the cycle of the seasons as a living reality, in the manner described. But do not imagine that you are experiencing it by merely setting up this abstract concept in your mind! You will achieve this only after you have actually absorbed anthroposophy in such a way that it makes you regard every plant, every stone, in a new way; and also only after anthroposophy has taught you to contemplate all human life in a new way.

I have tried to give you a sort of picture of what must be prepared specifically in the human Gemüt, if the latter is to learn to feel surrounding nature as its very own being. The most that men have retained of this sort of thing is the ability to experience in their blood circulation a certain psychic element in addition to the material factor: unless they are rank materialists they have preserved that much. But to experience the pulse-beat of outer existence as we do our own innermost being, to take part once more in the cycle of the seasons as we experience the life inside our own skin — that is the preparation needed for the Michael Festival.

Inasmuch as these lectures are intended to present for your contemplation the relation between anthroposophy and the human Gemüt, it is my wish that they may really be grasped not merely by the head but especially by the Gemüt; for at bottom, all anthroposophy is largely futile in the world and among men if it is not absorbed by the Gemüt, if it carries no warmth into this human Gemüt. Recent centuries have heaped cleverness in abundance upon men: in the matter of thinking, men have come to the point where they no longer even know how clever they are. That is a fact. True, many people believe present-day men to be stupid; but granting that there are stupid people in the world, this is really only because their cleverness has reached such proportions that they debility of their Gemüt prevents them from knowing what to do with all their cleverness. Whenever someone is called stupid, I always maintain that it is merely a case of his not knowing what use to make of his cleverness. I have listened to many discussions in which some speaker or other was ridiculed because he was considered stupid, but occasionally just one of these would seem to me the cleverest.

Cleverness, then, has been furnished us in abundance by the last few centuries; but what we need today is warmth of Gemüt, and this anthroposophy can provide. When someone studying anthroposophy says it leaves him cold, he reminds me of one who keeps piling wood in the stove and then complains that the room doesn't get warm. Yet all he needs to do is to kindle the wood, then it will get warm. Anthroposophy can be presented, and it is the good wood of the soul; but it can be enkindled only by each within himself. What everyone must find in his Gemüt is the match wherewith to light anthroposophy. Anthroposophy is in truth warm and ardent: it is the very soul of the Gemüt; and he who finds this anthroposophy cold and intellectual and matter-of-fact just lacks the means of kindling it so it may pervade him with its fire. And just as only a little match is needed to light ordinary wood, so anthroposophy, too, needs only a little match. But this will enkindle the force of Michael in man.





Source: http://www.webcitation.org/5sjeHBCY5

Not I but Christ in me


"The Michael forces cannot be acquired through any form of passivity, not even through passive prayer, but only through our making ourself the instrument of divine-spiritual forces by means of our loving will. For the Michael forces do not want to be implored: they want us to unite with them. This we can do if we will receive the lessons of the spiritual world with inner energy."--Rudolf Steiner 9/28/23


Tuesday, September 14, 2010

"Here am I; send me."









At least once a day repeat 25+ times "I am loved. I am great. I offer my love and my light to those that are around me." As you say the words, visualize the self becoming light, allow yourself to experience the warmth of the love, and allow the joy of interconnectedness to be present in the beating of your heart.









Source: The School of Metaphysics

Monday, September 13, 2010

Isaiah 9/11


In the year that king Uzziah died I saw also the LORD sitting upon a throne, high and lifted up, and his train filled the temple.

Above it stood the seraphims: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly.

And one cried unto another, and said, Holy, holy, holy, is the LORD of hosts: the whole earth is full of his glory.

And the posts of the door moved at the voice of him that cried, and the house was filled with smoke.

Then said I, Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the LORD of hosts.

Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:

And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.

Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.

--Isaiah 6:1-8

Sunday, September 12, 2010

Yoga




"Just as everything evolves from the physical up to the spiritual under the Christian influence, so those things which existed primarily as a bridge must develop under the Christ influence: the sacrament of Communion must rise from the physical to the spiritual plane in order that it may lead to a true union with the Christ."--Rudolf Steiner, 7/7/9

Saturday, September 11, 2010

When darkness enshrouds us


We look outward
With our world-engendered eyes,
And what we see thus binds us
To world delight and world despair.
It binds us unto all
That springs to life there, but not less
To all that plunges there
Into the dark abyss.

But we also behold
With our spirit-entrusted eye.
What we thus behold binds us
To spirit hope and spirit’s upholding power.
It binds us unto all
That roots within eternity
And bears within eternity its fruits.

Yet we can only then behold
When we feel the inner eye
Itself as God-given spirit organ,
Which at the focus of the soul,
Within the temple of our body,
Fulfills the deed of gods.

Humankind is in forgetfulness
Of the Godhead’s innermost.
We, though, will raise it and take it
Into our consciousness, flood it with light
And then bear it over dust and ashes—
The divine flame in the human heart.

So may the lightning shatter into dust
Our sense-built houses.
We will erect instead soul houses
Built on knowledge,
Upon its iron-firm, light-woven web.
And downfall of the outer
Shall become uprise
Of the soul’s own innermost.

For pain passes upon us
From powers of material force,
But hope illumines
Even when darkness enshrouds us,
And it will one day
Emerge within our memory
When at length, after the darkness,
We may live again in light.
We do not want this clear illumining
To be in future brightnesses denied us
Because we have not now,
In pain, implanted it within our souls.

                              —Rudolf Steiner



Friday, September 10, 2010

Christ gives me my humanity









"Anthroposophy should actually be none other than that Sophia--that is to say, that content of consciousness, that inner human experience--which endows a human being with his full humanity. The right interpretation of the word anthroposophy is not 'wisdom of man' but rather 'the consciousness of one's humanity.'"--Rudolf Steiner, 2/13/23










"I am the life-giving bread which descends from heaven. Whoever eats of this bread will live through all cycles of time. And the bread which I shall give: that is my earthly body which I shall offer up for the life of the world.... Whoever eats my body and drinks my blood has life beyond the cycles of time, and I give him the power of resurrection at the end of time. For my flesh is the true sustenance, and my blood is the true draught. Whoever truly eats my flesh and drinks my blood remains in me and I in him."--John 6:51,54-56

"God's Grandeur" by Gerard Manley Hopkins



THE WORLD is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.


Thursday, September 9, 2010

Regarding the Mystery of Golgotha


"You should not imagine that this body in which the Christ dwelt was, say, a year and a half after the Baptism by John in the Jordan like any other body. An ordinary human soul would have immediately felt this body falling away from it, because it could only be held together by the mighty macrocosmic Christ Being. It was a continuous, slow dying process that lasted for three years. And this body was on the verge of disintegration when the Mystery of Golgotha occurred."--Rudolf Steiner, Jan. 9, 1912

"The Second Coming" by Yeats




Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

Wednesday, September 8, 2010

"Why Should Not Old Men Be Mad?" by Yeats



Why should not old men be mad?
Some have known a likely lad
That had a sound fly-fisher's wrist
Turn to a drunken journalist;
A girl that knew all Dante once
Live to bear children to a dunce;
A Helen of social welfare dream,
Climb on a wagonette to scream.
Some think it a matter of course that chance
Should starve good men and bad advance,
That if their neighbours figured plain,
As though upon a lighted screen,
No single story would they find
Of an unbroken happy mind,
A finish worthy of the start.
Young men know nothing of this sort,
Observant old men know it well;
And when they know what old books tell
And that no better can be had,
Know why an old man should be mad.

Tuesday, September 7, 2010

Leonardo da Vinci: His Spiritual and Intellectual Greatness

self-portrait of Leonardo

A Lecture by Rudolf Steiner given in Berlin, February 13, 1913


My Dear Friends,

The name of Leonardo is constantly being brought before the minds of innumerable people through the wide circulation of perhaps the best known of all pictures, the celebrated “Last Supper”. Who does not know Leonardo da Vinci's “Last Supper” and knowing it, does not admire the mighty idea expressed more particularly in this picture? There we see embodied pictorially a significant moment — one that by innumerable souls is considered the most significant of the world's events: the figure of the Christ in the center, and on either side of Him the twelve Disciples. We see these twelve Disciples with deeply expressive movements and bearing; we see the gestures and attitudes of each of the twelve figures so individualized, that we may well receive the impression that every form of the human soul and character finds expression in them. Every way in which a soul would relate itself according to its particular temperament and character to what the picture expresses is embodied in them. In his treatise on the subject of Leonardo da Vinci's “Last Supper”, Goethe expressed perhaps better than any writer the moment after Jesus Christ uttered the words, “One of you shall betray Me”. We see what is taking place in each of these twelve souls so closely connected with the speaker and who look up to Him so devoutly after the utterance of these words; we see all that wonderfully expressed by each of these souls in the numerous reproductions of this work which are disseminated through the world.



There have been representations of the “Last Supper” dating from earlier times. We can trace them without going still further back, from Giotto down to Leonardo da Vinci; and we find that Leonardo introduced into his “Last Supper” what we might call the dramatic element, for it is a wonderfully dramatic moment that confronts us in his representation. The earlier representations appear to be peaceful, expressing, as it were, only the fact of being together. Leonardo's “Last Supper” seems the first to conjure up before us with full dramatic force an expression of very significant psychic conditions. If, however, the world-famed reproductions have given us an impression of the idea of the picture which enters into our hearts and souls, and we then go to Milan, to that old Dominican church, Santa Maria Delle Grazie, and there see on the wall what can only be described as blurred, indistinct, damp daubs of color — which are all that remains of the original picture, so famous the whole world over through the reproductions — we may perhaps then be led to investigate further. The impression that comes to us then is that for some long time back there has not been much visible on the walls of the old Dominican church of the picture, of which those who saw it after Leonardo painted it spoke in such enthusiastic, fervent and rapturous terms. What must once have spoken to the soul from these walls as a miracle of art, not only through the idea which had just been expressed with difficulty, but what must have spoken through Leonardo's marvel of color in such a way that in these colors was expressed the inmost depths of the soul — aye, the very heartbeat of the twelve Disciples — all that must have long ceased to be visible on the wall. What has this picture not had to suffer in the course of the ages!

Leonardo felt himself compelled to depart in technique from the method in which such frescoes had been painted by his predecessors; he found the sort of colors formerly used were not striking enough. He wanted to conjure on to this wall (as through magically) the finest emotions of the soul; and therefore he tried as had not been done before — he used oil colors. There then arose a multitude of obstacles. The position of the whole place was such that comparatively soon these colors must be affected. Damp came out of the very wall itself; the whole room, which was used as a refectory by the Dominicans, was often completely under water in the floods. Many other things intervened besides — the quartering of soldiers there in war time and so on. The picture had all this to undergo. At one time the monks of the monastery themselves did not behave with special piety towards this picture; they found that the door which led from the kitchen into the refectory of the monastery was too low, and one fine day they had the door heightened. This ruined a great part of the picture. Then at one time a coat of arms was placed right over the head of Christ. In short, the picture received the most barbarous treatment. Then there were “artistic charlatans” — as we must call them — who painted it over, so that scarcely anything of the original coloring is now to be seen. In spite of this, when one stands before the picture, an indescribable enchantment proceeds from it. All the barbarisms, the painting-over, and the soaking could not fundamentally destroy the charm which proceeds from the picture. Although it is today no more than a mere shadow stretching across the wall, yet a magic proceeds from this picture. That magic lies only partly in the painting; rather, it is the conception that works on the soul — it works powerfully.

Anyone who has acquainted himself with Leonardo's other works, and tried to study the reproductions of the works ascribed to Leonardo scattered through the different galleries of Europe, which have been preserved more or less as he painted them, anyone who has acquainted himself with Leonardo's activities and has made a study of what he has written in the course of time, and of his life as it flowed on from the year 1452 to 1519, will stand before this picture in the Dominican refectory of the monastery of Santa Maria Delle Grazie at Milan with very peculiar emotions. For in reality, as much of the magic creation which Leonardo once painted on this wall has been preserved to us, we feel that just so much does there still remain for the universal consciousness of man of the mighty greatness, of the power and content of the comprehensive personality of Leonardo himself. The extent of the influence of Leonardo's work on people today stands practically in the same relation to what this comprehensive personality put into the evolution of the world as these faded and blurred colors do to what Leonardo once conjured up on the wall. We stand sadly before this picture in Milan, and with the same sadness we confront the whole figure of Leonardo.

Goethe points out how, if we allow the lives written by earlier biographers to work upon us, we receive an impression that in Leonardo a personality appears to mankind, working everywhere with a fresh life force, contemplating life joyfully and working joyously on life, taking up everything with love, with a tremendous thirst for knowledge desiring to grasp everything fresh in soul, and fresh in body. Then perchance we turn to that portrait of his in Turin, supposed to be painted by himself, and look at this picture of Leonardo as an old man — this face with its expressive lines caused by suffering, with the embittered mouth, and the features which betray something of the opposition which Leonardo had to feel towards the world and towards all he had to experience. In a remarkable way this personality appears at the beginning of the new age. Then, if we once more turn back to the picture in Santa Maria Delle Grazie and endeavor to study this shadow on the wall of the refectory, trying to compare it with the oldest reproductions of this picture, and try, as it were, with “the eyes of the spirit” (to use Goethe's words) to call up the picture within us, the following feeling may perhaps arise: Did he who once painted this picture go forth satisfied when he put the last touch to it? Did he say to himself: “Thou hast here recorded what lived in thy soul”?

It appears to me, one may quite naturally arrive at this feeling. Why?

If we survey the whole of Leonardo's life, we must admit that the feeling just described is aroused. We begin by studying Leonardo from his birth. He was an illegitimate child, the son of a mediocre father — Ser Pietro of Vinci — and of a peasant woman who then entirely disappears from view, while the father marries respectably and puts his child out to nurse. We see the child growing up alone, having intercourse only with nature and his soul, and we see what an enormous amount of life force there must have been in this human being that enabled him to remain so fresh! For above all he did retain his youthful freshness. Then, as he already showed a talent for drawing, he entered the school of Verrochio. His father sent him there because he believed his talent for drawing could be made useful. Here Leonardo was employed to assist in painting the Master's pictures. An anecdote is related of this period — how Leonardo had once to paint in a figure which, when the Master saw, he resolved to paint no more, because he knew he was surpassed by his pupil. This seems to be more than a mere story, when one considers the whole being of Leonardo.

We then find him in Florence, his artistic talent always increasing: but we find something else besides. If we follow up his talent for painting we are impressed with the feeling that year after year he went about making the greatest artistic plans, constantly making new ones. He had also commissions from people who recognized his great gift and wanted to own something of his. First he would form an idea of what he wanted to create and then he began to study; but in what did this study consist? He entered in an extraordinarily characteristic way into every detail that came into consideration. For instance, if he had to paint a picture with three or four figures in it, he did not only study a single model but he went about the town observing hundreds and hundreds of people. He would often follow a person for a whole day if a feature interested him, and sometimes he would invite all sorts of people of different classes to come to him and would tell them all sorts of things to amuse or frighten them, so that he might study their features in the different soul experiences. Once, when a rioter was caught and hanged, Leonardo went to the place of execution, and the drawing is still preserved in which he tried to catch the facial expression, the whole bearing of the victim; in the lower corner is the drawing of another head so as to catch the whole expression. Caricatures have been preserved, incredible figures by Leonardo, from which we can see what he was trying to do. For instance, he would take a face and make the experiment of making the chin larger and larger. To study the significance of a single part of the human form, he would enlarge a single limb, to ascertain how in the natural size this limb was dovetailed into the whole human organism. Caricatured forms — in all sorts of contortions — we find in Leonardo. Drawings of his have been preserved (many the works of his pupils, but many by himself as well) in which he has drawn the same detail over and over again — drawings which he would then use.

If we consider this attentively, we get an impression that he worked in the following way: suppose he had an order for a picture and had to represent this or that. He studied the details in the way just described. His interest was then aroused in something special, and he no longer continued to study for the purpose of the picture, but to learn the peculiarities of some animal or man. If he had to paint a battle, he would go to the riding school to study detail or somewhere where horses were left to themselves, and in this way he lost sight of the original conception for which he had meant to use the study. In this way study after study accumulated, and in the end he had no interest in returning to the picture. Among the important pictures originating from his early Florentine time (although they had been painted over, and their original form is no longer recognizable) we have the “St. Hieronymus” and the “Adoration of the Magi” for which innumerable such studies exist as have just been described. Moreover, we have the feeling that this man lived in the fullness of the secrets of the universe; he sought to penetrate them, tried in an original way to reproduce the secrets of nature, but never really attained the creation of any work of which he could say it was in any way complete.

We must put ourselves in the place of this soul, who was too rich to bring anything to completion, a soul in whom the secrets of the universe so worked that no matter where he began, he had to pass on from secret to secret and could never come to an end. We must try to understand the soul of Leonardo, which was too great in itself ever to be able to reveal its full greatness.

Let us pursue our study of Leonardo. We see how he was given two commissions by Duke Ludovico, one of which was the “Last Supper” and the other an equestrian statue of the Duke's father. This brought him to Milan. Further investigation shows us that Leonardo worked from fifteen to sixteen years at these two works. To be sure, many other things were going on at the same time. In describing him as we have just done, we must, to understand him fully, add that the Duke had not summoned him as a painter only. The Duke sent for Leonardo because he was not only a distinguished musician, but perhaps one of the most distinguished musicians of his time. And it was due to his musical gifts that he was summoned to the Duke's court — not only on that account, however, but because he was one of the most important war engineers of his time — one of the most important hydraulic engineers and one of the most important mechanics of his time — and because he could promise the Duke to supply him with engines of war that were something quite new — engines utilizing steam power — and because he could construct suspension bridges which could easily be put up and taken down quickly. At the same time, he worked at the construction of a flying machine. To accomplish this he busied himself in observing the flight of birds, and what remains of Leonardo's writings concerning the manner in which birds fly are among the most original existing in the world on this subject. At the same time it must always be remembered when we have Leonardo's writings in our hands today that these are only copies containing much that is inaccurate, and in this form they correspond to what we can now see of the “Last Supper”. Yet in all these things, we can clearly see what a great and comprehensive genius Leonardo was.

We can now see how Leonardo not only assisted the Court of Milan on every possible occasion — arranging this or that artistic or theatrical event, but we also see him working out all sorts of military and other schemes and assisting the builders of the Cathedral with advice and help. Besides this, we know that he trained innumerable pupils who then worked at the different works in Milan; so that one can hardly imagine today how much of Leonardo's work is incorporated into the whole town of Milan and its neighborhood.

In addition to all this Leonardo was engaged in making endless studies for the statue of the Duke's father, Francesco Sforza. One might say there was not a single limb of the horse that he did not study a hundred times, in a hundred different positions, and in the course of many years he completed the model of the horse. Then through an accident, when it was set up at a festival, it was destroyed — and he had to make it all over again. This second model was also destroyed when the French invaded Milan in 1499, for the soldiers used the model as a target and shot it to pieces. There is nothing left of the gigantic labors of a personality who, one may really say, tried to discover one world-secret after another, in order to construct a work in which dead matter should be a manifestation of life, as it reveals itself in the secrets of nature.

We know how Leonardo worked at the “Last Supper”. He often went and sat on the scaffolding anbrooded for hours in front of the wall, then he would take a brush and make a few strokes and go away again. Sometimes he only went and stared at the picture and went away again. When he was painting the Christ Figure, his hand trembled. Indeed, if we put together all that we can find concerning this subject we must say that neither outwardly nor inwardly was Leonardo happy when painting this world-renowned picture. Now there were people at that time in Milan who were displeased with the slow progress of the picture, for instance a Prior of the monastery, who could not see why an artist could not paint such a picture quickly, and complained to the Duke. He too thought the affair had lasted too long. Leonardo answered: “The picture is to represent Jesus Christ and Judas, the two greatest contrasts; one cannot paint them in one year; there are no models for them in the world, neither for Judas nor for Christ”. After he had been working at the picture for years, he said he did not know whether he could finish it after all! Then he said that if finally he found no model for Judas he could always use the Prior himself! It was thus extraordinarily difficult to bring the picture to a conclusion but within himself Leonardo did not feel happy. For this picture showed the contrast between what lived in his soul and what he was able to represent on the canvas. Here it is necessary to bring forward a hypothesis of Spiritual Science, which may be reached by anyone who studies what can by degrees be learned about this picture.

The following hypothesis presented itself to me as I tried to find an answer to the above-mentioned question. If one follows up Leonardo's life in this way one says to oneself: in this man there lived an enormous amount that he could not reveal outwardly to mankind; the external means were much too feeble to express this. Was he able, as without doubt he intended in the “Last Supper”, to paint into this work a grandeur that would have satisfied him? This question arises quite naturally, when one realizes how again and again he tried to investigate secret after secret for his studies to bring something into existence, and did not succeed. After all, one is bound to ask such a question: and it almost answers itself. If Leonardo on the one hand only got as far with the equestrian statue — which he had intended to make a miracle of plastic art — as making a model which was destroyed, so that he never even touched the statue itself, and if, after sixteen years of work, he finally said good-bye to this unexecuted statue — how did he leave the “Last Supper”? One has the feeling: he went away from this “Last Supper” dissatisfied! If all we can see of this picture today is a ruin of blurred, damp colors, and if for a long time past nothing more has been perceptible of what Leonardo once painted on the wall, we may perhaps maintain that what he painted there could not in the faintest degree have represented what lived in his soul.

To arrive at such a conclusion it is necessary to put together all the different impressions one receives from the picture itself, but there are also a few external aids. Among the writings of Leonardo still extant there is a wonderful treatise on painting. In it painting in its essence as an art is set forth, how it must work in relation to perspective and coloring, how it must work according to principle. Oh! This work of Leonardo's on painting, although we have only a fragment of it, is a wonderful work, the like of which has never been accomplished in the world. The highest principles of the art of painting are here represented as only the greatest genius could represent them. It is wonderful to read, for instance, how Leonardo shows that in painting a battle, the horses had to be represented with the suitable foreshortening because it brought out the impression of bestiality and yet of grandeur that should be perceptible in a battle. In short, this work is a wonderful one. It shows us all Leonardo's greatness and, we may say, all his impotence. We shall refer to this again. Above all it betrays how he always tried in the representation of his art to study the reality as it presented itself to the human eye. How light and shade and coloring are to be turned to account in painting, all this is to be found wonderfully described in this work of Leonardo. If we find in Leonardo's soul the ardent longing of his conscience never even in the smallest particular to offend against the truth — which, as we shall see further on, he prized so highly — if that feeling animated his soul, we may say that this is apparent everywhere; that is, the resolution never to offend against the truth of the impression, always so to work that the impression is justified by the inner secrets of nature.

If we let his “Last Supper” work on us, we find two things of which we can say that they do not altogether agree with Leonardo's view of the principles of painting. One is the figure of Judas. From the reproductions and also to a certain extent from the shadowy painting in Milan, one gets the impression that Judas is quite covered in shadow — he is quite dark. Now when we study how the light falls from the different sides, and how with regard to the other eleven disciples the lighting conditions are represented in the most wonderful manner in accordance with reality, nothing really explains the darkness on the face of Judas. Art can give us no answer as to the wherefore of this darkness. This is fairly clear as regards the Judas figure. If we now turn to the Christ Figure, approaching it not according to Spiritual Science but according to the external view, it only produces, as it were, something like a suggestion. Just as little as the blackness, the darkness of the Judas figure seems justifiable, just as little does the “sunniness” of the Christ Figure, standing out as it does from the other figures, seem to be justified, in this sense. We can understand the lighting of all the other countenances but not that of Judas nor that of Christ Jesus. Then, as if of itself, the idea comes into one's mind: surely the painter has striven to make evident that in these two opposites, Jesus and Judas, light and darkness proceed not from outside but from within. He probably wished to make us realize that the light on the face of the Christ cannot be explained by the outer conditions of light, and yet we can believe that the Soul behind this Countenance is itself a light force, so that It can shine of Itself, in spite of the lighting conditions. In the same way the impression with respect to Judas is that this form itself conjures up a shadow which is not explained by the shadows around it.

This is, as already said, a hypothesis of Spiritual Science, but one that has developed in me in the course of many years and we may believe that the more we consider the problem the more we would find it substantiated. According to this hypothesis one can understand how Leonardo, who strove to be true to nature in all his work and study, worked with trembling brush to present a problem that could only be justified with respect to this one figure. We can then understand that he might well be bitterly disappointed, indubitably so, because it was impossible by means of the then existing art to bring this problem to expression with complete truthfulness and probability. Because he could not yet do what he wanted, he finally despaired of the possibility of its execution and had to leave a picture behind him which still did not satisfy him, and the question as to the feelings with which Leonardo left his picture can be answered in full accord with the whole figure and spiritual greatness of Leonardo. He left it with a feeling of bitterness, realizing that in his most important work he had set himself a task the execution of which could never be satisfactory with the means available to man. If in the centuries to come no eye will see the picture Leonardo had conjured on to the wall at Milan — that, in any case, was certainly not what lived in his soul. If we picture him thus before his most important creation, we are indeed tempted to ask: What secret really lay behind this figure?

A fortnight ago we considered the personality of Raphael and tried to show what a different understanding we obtain of such a man as he, if we rest on the principles of Spiritual Science. For we know clearly that the human soul is something that repeatedly returns to many earth lives, that a soul born into a certain age does not live that one life alone, but in the whole plan and process of its evolution brings with it the predispositions acquired in earlier earth lives, and with these predispositions finds itself confronting what the spiritual environment now offers. If we so regard the soul, knowing that it enters into existence with an inner spiritual inheritance that had its origin in repeated earth lives — and admitting that the whole of evolution seems full of meaning and wisdom, we postulate that things do not happen accidentally in certain epochs, but in accordance with rule and law, as the blossom of the plant appears after the green leaf — if we accept the existence of a plan full of wisdom in the history of the evolution of man, according to which the human soul returns again and again from the spiritual regions — then only do the individual figures become comprehensible. What can be studied with regard to particular human lives is more clearly manifest if we observe those human souls which are exceptional, out of the ordinary. If we study Leonardo as we have tried to sketch him at particular moments of his life, we are led again to consider the background from which this soul stands out. This background is the time in which this soul was placed, from the year 1452 to 1519.

What manner of time was this? It was the time before the rise of modern natural science and the views which result from that. It was the time before the birth of Copernicus' conception of the world, before the influence of Giordano Bruno, Kepler, and Galileo. How do we view this age in the light of Spiritual Science? We have repeatedly drawn attention to the fact that the further we go back in the course of human evolution, the greater is the difference in the whole of man's outlook and his connection with his surroundings. In the primeval ages of man's evolution we find in every soul a kind of clairvoyance, by means of which, in the transition stage between sleeping and waking, he looked into the spiritual world. This original clairvoyance was lost in the course of time; but until the fifteenth century there still remained from earlier times a remnant of this clairvoyance; not clairvoyance itself — that was long before lost — but what remained was a feeling that the human soul was connected with the spiritual background of the world. What souls had once been able to see, they could still feel, and although this feeling had already become weak, still they felt that in the center of their being they were connected with the spiritual that lived and wove in the world, even as physical processes in the human body are connected with the physical events of the world. According to the laws of evolution, the old intercourse between man's soul and the spiritual world had to be lost for a time. Modern natural science could never have blossomed if the old clairvoyance had remained. The whole of this old way of looking at things had to be lost, so that the soul could turn to what the senses offered and what could be scientifically proved by the intellect belonging to the brain. The world outlook based on natural science, which has been built up from the time of Leonardo until today, was only made possible through the loss of the old spiritual perception of mankind and through man's inclining himself “objectively” to external sense perception and to what the intellect can grasp through that.

Today we again stand at a new turning point, at the turning point leading to a time in which it will again be possible for man, through modern Spiritual Science, to attain to a spiritual view of things. For the development of natural science has a double significance. First, it had to give to man the treasures of natural science. In the course of the centuries since the appearance of Copernicus, Kepler and others, natural science has passed on from triumph to triumph, and been adapted in a wonderful way to practical and theoretical life. That is one result that has been gained through natural science in the centuries since the time of Leonardo. The other is something that could not come at once but has only become possible in our own times. For not only have we to thank natural science for what we have learned through the Copernican system, through the observations and discoveries of Kepler and Galileo, and the experience of modern spectro-analysis, and so on, but we have also to thank science for a certain education of the human soul. The human soul first of all began to observe the sense world; in this way natural science was built up. Through natural science new ideas and new conceptions were formed — but where it has rendered the greatest service its greatness was not acquired through sense perception, but through something quite different.

This has already been referred to. In one particular sphere, in the time of Copernicus, people relied on sense perception. What was the result? People believed that the earth stood still in space and that the sun and the planets revolved around it. Then came Copernicus, who had the courage not to rely on sense perception. He had the courage to say that when one relied entirely on sense perception one did not make a single empirical discovery, but that empirical discoveries could be made if one combined in one's thinking all that had previously been observed. Then men followed in his footsteps and went further, but it is essentially a mistaken view of the state of affairs to believe that natural science reached its present height because mankind relied only on the senses. What has come to mankind through natural science has, however, impressed itself on the soul; the ideas of natural science live within us and have educated our souls. Natural science, besides the discoveries it has given us, has also been a means of education for the soul, and souls have today become mature because the ideals of natural science have really not only been thought but lived, so that souls of their own accord will be driven into Spiritual Science. Human souls had, however, first to become ripe for that, and for that centuries had to elapse since Leonardo's time.

Now let us consider Leonardo. He enters his age with a soul that, in an earlier existence, belonged to those initiates who had raised themselves in the old way to the secrets of world conception. This experience could not be continued in the age into which he was born, the fifteenth century. For in earlier incarnations insofar as these earlier earth lives made it possible, one may have experienced the cosmic mysteries in a great and mighty way; but how they can be brought through into one's consciousness in a new life depends on the external physical body. A fifteenth-century body could not bring to expression the inner thought, inner feeling, and inner power of execution which Leonardo had taken up into himself in earlier stages of existence. What he brought from earlier lives worked only as a force; but he was condemned to be confined in a body living in the age directly before the rise of natural science, and he felt himself limited in every direction. The time was then coming, the dawn was already there, when man would only perceive the world of sense existence with the senses, and would only think with the intellect that is connected with the instrument of the brain. Leonardo was always driven to seek for the spirit; he brought that with him from previous lives. The impulse to seek for the spirit worked in a glorious and grand way in him.

Let us now consider him as artist. Art had become very different in Leonardo's time from what it was in the Greek period. Let us try, for instance, to realize the creation of a plastic statue by a Greek artist. What kind of feeling do we get when we contemplate the statue of Marcus Aurelius, for example? Never would they who executed such a work have molded the form from an external model or made studies in detail as did Michaelangelo or Leonardo. The wonderful horse of Marcus Aurelius' statue was certainly never studied as Leonardo studied his for the equestrian statue of Francesco Sforza; and yet how alive are these old statues! What is the reason? It is because in Greek times human souls felt themselves to be really the creators of their bodies, they identified themselves with all the soul forces of the universe. In the age of Greek art one felt in an arm, for instance, all the forces that formed that arm. Man felt himself within the independent inner being of his own form. He did not look at the form from outside but created “consciously” from within, for he was still conscious of the formative creative force. We can still prove that externally even today. Look at the Greek statues of women; they were all experienced directly. Therefore they are all represented at the age in which expanding growth is present. We feel in these that the artist imitated nature because he was within the spirit of nature, because he felt himself connected in his soul with the spirit of nature. This feeling of being one with the spirit which weaved and lived in things had to be lost in Leonardo's time; it had to be lost, for otherwise the new age could not have come. This is not a criticism of the age, but a statement of the meaning of the facts.

Let us now see how Leonardo went to work when he studied the movements of the hand, or of the separate parts of an animal, or the human countenance! He shows by his methods that he had in his soul an inner knowledge, an inner realization, but this did not, however, rise into his consciousness. There was something that worked in a living way on those figures, but Leonardo could not grasp it inwardly. He felt himself separated from this “inner comprehension” and so nothing satisfied him. There he stands, in expectation of this new natural-scientific world outlook, which he cannot himself possess because it is not yet in existence. Take his writings — on every page problems spring up which mankind could only solve in the course of the three following centuries— some of them indeed have not yet been solved. Leonardo had most wonderful ideas, of which, in many cases, he could make no use at all. We find them in his works and also in his artistic creations. Thus we find in him that powerlessness to which a soul must be subject in an age that sees the end of an old world outlook, and in which the new has not yet arisen. This new world outlook certainly led to the splitting up of man's comprehensive outlook into a study of detail; we see the beginning of specialization of individual branches of work. In Leonardo everything is still united. He is at one and the same time an all-embracing artist, musician, philosopher, and mechanician. He united all these in himself because his soul came over from olden times possessing great capacities, but now in this new age, he can just touch things from the outside but cannot penetrate them. So from the human point of view Leonardo appears as a tragic figure, but seen from a higher one, his was a figure of tremendous significance — at the dawn of a new age.

We can see that for ourselves if we examine what Leonardo created further. He brought the most important things only to a certain point, when his pupils had to work on them. Even with regard to such work as his “John” or “Mona Lisa” in the Louvre in Paris, we see how the technical treatment was such that they must soon lose their brilliancy. We see in everything how Leonardo could never do enough to satisfy himself. It is not possible without having the pictures before us to speak in detail of his paintings. If we absorb ourselves in them we can see how Leonardo as artist always touched limits beyond which he could not go; and how what lived in his soul never once reached the point of flowing up from soul experience into consciousness; how for a moment it flared up from that state of soul experience in such a way that one might rejoice aloud and then sink back in sorrow, because it did not come into full consciousness. It never once did so to Leonardo.

We really follow Leonardo's fate with very sad feelings when we see how in the end he was taken to France by Francis I, and spent the last three years of his life in a dwelling place assigned to him by Francis, in spiritual contemplation of the mysteries of existence. We find him there as a lonely man, who could really no longer have anything in common with the world around him, and who must have felt an enormous contrast between what he realized as the primeval foundations of existence, which might take form in art, and the fragment of it which was all he had been able to give to the world.

If we consider the matter in this light we look back to Leonardo, saying: “Here is a soul in which a great deal, an infinite amount takes place”. The impression made on the observer is very distressing if he represents to himself what his soul contributed to human activities. Even at the time of Leonardo's death how insignificant was the external manifestation of this soul's contribution to human activities, in comparison with what lived within it! We are confronted with an economy of existence if we adopt the theory that human life exhausts itself in what comes into existence externally. How senseless and aimless seems the life of a soul such as Leonardo's when we see what went on within it, and what it had to suffer and endure on account of this, compared with what it might have given to the world! What a contrast there would be if we were to say that this soul was only to be regarded according to its manifestation in external life! No! We must not regard it thus! We must look at it from another standpoint and say: No matter what this soul may have given to the world or experienced, what it went through in its inmost being belongs to another world, a world that compared with our own is a supersensible one. Such men are above all a proof that man's soul belongs to a supersensible existence and that such souls as Leonardo's have something to do with supersensible existence, and what they can give to the external world is only a by-product of what they have to go through altogether.

We can only get the right impression if we add to the current of external human events another, a supersensible, current and say: Something runs, as it were, parallel with the sense current, and such souls as these are embedded in the supersensible; they must live in it to form the connecting links between the sensible and the supersensible. The life of such souls only appears to have a meaning if we admit a supersensible existence in which they are embedded. We see very little of Leonardo by looking at his external creations; we get the idea that this soul has still to carry out something in a supersensible existence and we say to ourselves: Oh! We understand! In order that this soul, in the whole course of its collective existence, which runs through many earth lives, could always reveal something to mankind, it had in its Leonardo existence to pass through a life in which it was only able to bring to expression the very smallest part of what lived within it. Such souls as Leonardo are world riddles and life riddles — world riddles incarnate.

What I wanted to bring out today was not to be presented in sharply defined concepts, but it should only point the way in which such souls can be approached. For Spiritual Science must indeed not present theories! Spiritual Science should, in all that it undertakes, grasp the whole of man's life of feeling and experience, and must itself become an elixir of life, so that through it we gain a new relation to the whole of life; and such spirits as Leonardo are peculiarly fitted to lead one to this new relation to the world and to life, so that through Spiritual Science we may understand the world. If we contemplate spirits such as Leonardo we can say: They enter life as enigmas, because they have to work out in their lives something greater than their age can give them. Because they bring the results of previous incarnations, souls such as Leonardo not only enter life in a humble position, but even as Leonardo entered it. Born of mediocre father and of a mother who soon disappeared from view after bearing an illegitimate child, he was brought up among middle class people. Thus we see him thrown on his own resources, and giving expression to what he had brought over from previous lives. When we consider the unfavorable conditions of his birth, we recognize that these did not hinder the manifestation of his great soul capacities. We see Leonardo's soul so sane, so comprehensive, that we can echo what Goethe says out of his own soul: “Symmetrically and beautifully formed, there he stood, as a pattern for humanity, even as the power of comprehension and clarity of the eyes really belongs to the mind, so clarity and perfection were possessed by this artist in the highest degree”. If we apply these words to Leonardo — to whom they are applicable — we must apply them to the youthful Leonardo, who appears before us fresh in body and mind, accomplished, full of the joy of creation, joy in the world, and longing for the world; a perfect man, a pattern man, born to be a conqueror, and full of humor, as he shows on various occasions in life.

Then we turn our gaze to the drawing which is considered to be, and justly so, his own portrait drawn by himself — the drawing of an old man — in whose face many experiences, many hard and painful experiences, have ploughed deep furrows, the expression of the mouth indicating the whole disharmony in which we see the lonely man at the end. Far from his fatherland, under the protection of the King of France, still struggling with the world and life, but lonely, forsaken, misunderstood, although still loved by the friends who had not neglected to accompany him.

In Leonardo's case we see especially the greatness of spirit which endures much suffering, as it accommodates itself to the body, first having fashioned it perfectly and then leaving it embittered. When we look into this countenance we feel the genius of humanity itself looking out at us. Yes, we begin to understand this age, the time of sunset in which Leonardo lived — the time which heralded a new dawn, in which Copernicus, Kepler, Giordano Bruno, Galileo lived — and we see all the limitations and restrictions which Leonardo's great spirit had to undergo. We understand the age and we understand the great artist who transcends all human means and yet can, after all, only work with human means. After we have studied the subject attentively from the point of view of Spiritual Science, we must bring the whole of our human intellect to bear on it, and gazing into Leonardo's face we shall see the entire spirit of that age looking out at us. Yes, from these embittered features there looks a human spirit, at first inclining downwards. We must know it thus, to understand the full greatness of the force which had to be there to admit of the rise of a Copernicus, a Kepler, a Giordano Bruno. In truth, we only obtain a proper reverence for the whole course and evolution of the human spirit, if we know how the tragedy of Giordano Bruno's death at the stake is even greater than studied in the light of Leonardo's soul — conscious of its own weakness before the passing, the downfalling of its age. Leonardo's greatness only becomes evident to us when we get an inkling of what he could NOT accomplish. That is connected with a matter with which we will sum up today's considerations. It is connected with the fact that the human soul can be satisfied — aye, even made happy — at the sight of imperfection (although more satisfied, it is true, by great than by little imperfection); at the sight of that creative activity, which, due to its greatness, fails of execution; for in these dying forces we guess at and finally see the forces being prepared for the future, and from the sunset there arises for us the promise and the hope of the dawn. The relation of our souls to human evolution must always be such that we say to ourselves: All progress takes this course: wherever what has been created falls into ruin, we know that out of that ruin new life will always blossom forth.

 
 
 
 
Source: http://www.webcitation.org/5sUswKTTS